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– mark edward grimm megrimm.net |
– 525 Linn St. Ithaca, NY 14850 |
– 315.378.2136 mgrimm@syr.edu |
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05.20.08
mpc2059 is a conceptual art and audio project that utilizes puredata and max/msp.
The year is 2059. We have just emerged from a 50 year global civil-war. Ecological disaster has not been averted. We have become increasingly reliant upon machine technologies. Our biological life support systems have failed. The vital impulse of our planet is artificial.
01.07.08
mpc2059 is a conceptual art and audio project that utilizes puredata and max/msp.
The year is 2059. We have just emerged from a 50 year global civil-war. Ecological disaster has not been averted. We have become increasingly reliant upon machine technologies. Our biological life support systems have failed. The vital impulse of our planet is artificial.
11.04.07
mpc2059 is a conceptual art and audio project that utilizes puredata and max/msp although this project was realized fully in Propellerheads Reason with only some Puredata programing.
The year is 2059. We have just emerged from a 50 year global civil-war. Ecological disaster has not been averted. We have become increasingly reliant upon machine technologies. Our biological life support systems have failed. The vital impulse of our planet is artificial.
11.02.06
All songs were written and recorded in a 24 hour period.
This album explores how simple song structures are created and recorded. These songs are based on ‘melodies’ or ‘tunes’ that I have been developing in my head for the past few years.
05.04.2006
Musical experirments with electronica, computers, sequencing, filters and noise rock.
A Pro-Tools studio was built equipped with a Digi 002 rack, mixing board, computers and mic’ed instruments (drums, keys, bass guitar). The following are recordings done over a 2 year period starting in 2005. Experiments commenced with musical forms such as techno-electronica, noise rock and jam rock. Other experiments in noise and sound creation often commenced.
11.12.2003
Experiments with recording and ‘Pop’ song structures.
06.14.01
Experiments in Computer Generated Noise
The third ‘Volume’ in the SFTUNOTHDB series I began taking ‘found’ sounds and manipulating them on the computer. I was really interesting in this volume in understanding what the computer could do and how audio could be manipulated in different forms. The program ‘pure-data’ was used in conjunction with audio samples to create this entire recording.
07.19.00
Experiments in Computer Generated Noise
08.19.99
Experiments in Computer Generated Noise
The first ‘Volume’ in the SFTUNOTHDB series was some first innitial experiments with computer generated noise and beats. These experiments were conducted over the course of a 2 month period using basic ‘WAV’ editing programs. This work proved a stating point for future computer related works that span several volumes.
02.13.1999
mmpc was a first experiment with the structure of an electronic band format. The music was primarliy ‘Jam Rock’ based but became highly experimental with electronic improvisational formats and time progressed.